“A professor told me not to use that letter / as the subject of a poem. // I don’t remember her name.” This complete poem, entitled “I,” is a snide argument for the insistent confessionalism that goes on in much of Poetic Scientifica, a confessionalism that is unwavering and brimming with warped comedy. Out this year from University of Hell Press, Leah Noble Davidson’s first book is a bold declaration on the capacities of humor and raw storytelling as means for emotional resilience.

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