Before opening Ottessa Moshfegh’s new novel My Year of Rest and Relaxation (Penguin Press, 2018), you might get caught up observing the portrait on the cover. Like many neoclassical paintings of women, Jacques-Louis David’s Portrait of a Young Woman in White is of a porcelain skinned beauty, rosy cheeked and cherry lipped, in a revealing negligee. She sits on a chair, probably in a bedroom, staring off…
Small Digital Fictions: A Review of Shorts (Platypus Press)
Shorts are mini digital fictional stories that exist in the space between short story and novella. They’re published through England-based Platypus Press and include emerging and established authors such as Leesa Cross-Smith and Nur Nasreen Ibrahim, as well as past Portland Review-contributor Kristen Arnett. Each of the shorts described below live in the realm of relationships, and more specifically, in the universal truth of marriage and family and…
Call For Themed Submissions
Portland Review welcomes submissions of fiction, nonfiction, poetry, art, and mixed-genre works for its 2019 themed anthology, Unchartable: On Environmental Unknowns. It is the nature of the human mind to seek, to touch, to understand and occupy vast unknowable terrains, but which of our daily environments resist comprehension?
A Queered Bildungsroman: A Review of Who Is Vera Kelly? by Rosalie Knecht
Rosalie Knecht’s newest novel Who Is Vera Kelly? (Tin House Books, 2018) aims to answer the difficult question posed in its title. In large part, it’s a coming-of-age story about a girl growing up in the sixties. But unlike the classic bildungsroman, this noveldefies the reader’s expectations and blurs the lines of genre. It is at once a period piece set partially in South America during…
Overcome By Events: A Review of Crash Course by Julie Whipple
Julie Whipple’s Crash Course (Yamhill Canyon Press, 2018) is a lucid and engaging examination of a tragedy that occurred in the city of Portland. On December 28, 1978, a DC-8 jet airliner plummeted out of the night sky and crashed in an empty lot located on East Burnside, costing ten people their lives. Whipple’s account invokes the “tick-tock” tension of a thriller, the drama of the courtroom trial, and the cool-eyed analysis…