Portland Review is pleased to announce its nominations for the 2019 Pushcart Prize and the 2019 Best Small Fictions anthology. A very warm congratulations to our contributors! Nominations for the 2019 Pushcart Prize: Dani Burlison, “How to Spend the Weekend with a Man Who Doesn’t Love You” Christopher Coake, “Getaway” Molly Gutman, “You and the Clarinetist” Christine Kitano, “Denim” Penny Newell, “Chopping Wood for Mum Because…
Finding Me in You: A Review of Poetry Magazine, September 2018
Poetry Magazine’s September 2018 issue is a collection of poems that speak strongly to the ideas of space and identity and the ways these two concepts are interconnected. Whether traditional or experimental in form, the poems in Poetry’s September 2018 issue explore the complexity of human relationships, addressing relatable and long-asked questions regarding one’s identity in relation to the self, to others, and to broader…
The Hitchhiker by Annie McGreevy
It began with two strokes of good luck. The first was an adult, blood-fattened bedbug on the bedframe in room 306 at the end of her shift. The second was an equally blood-fattened adolescent in the same room, on the shower curtain of all places. Blood-drunk, Yolanda thought excitedly. All full up and lazy, not even trying to hide. She flicked them into separate Ziplocs,…
5 Literary Nonprofits We’re Thankful to Have in Portland
Among all of Portland’s most celebrated features — our excellent coffee, our eclectic beers, our extra-eclectic coffee-infused beers — it’s the strong commitment to writing and literature that feels especially vital these days. The literary arts bring together the widening groups of people inhabiting our city, from the new to long-term residents, young and elderly, writers and readers from all backgrounds and histories. It’s Giving Tuesday today,…
Personal and Politically Poignant: A Review of CutBank 88
CutBank, the University of Montana’s biannual literary journal, features fiction, poetry, and literary nonfiction by both established and emerging authors. The journal’s most recent edition, CutBank 88, exhibits a distinct Americanness in terms of place and identity. Like the characters in Courtney Graggett’s mythic story “Dry Border,” a father and son who are Mexican immigrants in southwest Texas, the readers of CutBank 88 also traverse the physical challenges and emotional complexities…