Nothing has waited for me. The river shrugs
its fog shawl. Fisher birds shriek, light
whitewing flecks of untouched watercolor
paper, watchful of what bubbles in the ink.
From a forgetful distance I’m returning
to beauty out of harsh grief, ugly, out of
breath or practice. Returning is the decision
to live. Or. Returning is the discovery
nothing has waited for me.
Mass graves were never found here only
because no one looked. Burials grown over
by the beauty, or is it the wildness of time?
The abundance of it. I recite tributes
with neither scrap nor pen, gasping for calm
palpating pockets and ribs for something
to grasp while I walk. I don’t smoke. Will I
find the place? Will I, mud, remember?
//
If forgetting is an ache,
grief for forgetting is a fresh slap,
the welts of each finger needling.
Yes, that’s exactly where it was.
Where once landed a slap forever
remains, humiliation the shape of a human
hand. Flesh memory of a father. Yes, there.
I’ve taken to medieval means
of kindling memory, clapping
calm around candles, singing
names of trees & their beasts.
Palmetto sabal and saw
a hammock for egrets,
brackish water fecund
mudflat for sidling fiddler crabs.
Sudden terror of unseen hunt
crumple, crash, splash out of danger
the marsh rabbit swims fantastical,
reminding me I am not alone
and for more than beating
rebeating the footpaths,
I am fearfully ill-equipped.
No one appointed me witness.
//
The scrubland is named,
as so much of America is named,
for a massacre. Matanzas,
I sink heel-first down,
scraping at mud-words
for the meaning of blood-deeds.
As if I could commit
to memory this magnitude one rose
quartz pebble, one osprey feather
at a time. Does the sum total
conjure and reassemble the field-
dressed hare, turn him rightside
out in spring-motion escape?
Childhood I spent hours staring
into the mirror to learn my face, surprised
I did not already know. Now surprised
I do not remember where
my father’s eyelids folded. I will check
my own again and again to discover
the answer shifts
like the river’s bulging belly.
//
Egrets in their talcum silence
wait for the water to rise up silver
platter full of silver fish.
Each day an astonishment of bounty.
My father, too, was a fisherman,
silver curled blade delving into silver
curled gill, the whole morning sky
fileted open, flushing pink.
I try to remember the names
of fish, the little he said. Bone words
piercing the throat. The birds know
beyond names. Swallowing whole.
Birds know hunting
is waiting. History, too, a waiting
for water to rise or recede.
Not as a river delivering fish—as fog,
a gloom of remembrance, it materializes
even as it disappears, singularly
helpless and irrepressible,
a child’s breath on a mirror.
Photo by Karl Callwood on Unsplash