Volume 57.1
- Joseph Alexander, “Aunt Sylvia’s Reclining Nudes”
- Deborah Baker, “Marta”
- Tim Barnes, “Derridada and Other Scenes” and “While Waiting of the Moon When”
- DJ Berger, “The Roof”
- Holly Day, “Rebirth” and “Ray”
- Max Delgado, “1986”
- Ed Fischer, “What We’re Here For”
- Robert Funge, “On the Coast Starlight” and “Postcard From the Train”
- Ted Gilley, “A Parting” and “Remaindered”
- Elise Glassman, “Death, Blood and the Resurrection”
- Evan Hansen, “Dear Boss” and “Liminal Season”
- Andrew Hole, “the comedian” and “The Woman of Surfaces”
- John Joshua, “An Intimation of Mortality” and “Brother’s Keeper”
- Pierre-Albert Jourdan, trans. John Taylor, “From Journal Pages, 1981″
- Thomas David List, “Toggle a List, Man”
- Michael Malan, “A New Language”, “Between the Body and the Window is a New Recognition”, “The End of Time” and “Relentless Spirit”
- Errol Miller, “Stormy Weather” and “Dismantling the Dream Machine”
- Keith Montesano, “Richmond International Airport”, “Variation on a Landscape” and “Our Conversation About You Working at an Abortion Clinic”
- Dan Moreau, “Lady Lightbulb and Dick Dickless”
- Gwynn O’Gara, “To an Ordinary Woman”
- Donna Pucciani, “Padre Ernesto Peels an Apple”
- Samuel Stenger Renken, “What to Give a Woman” and “Truck Stop Egg”
- John J. Ronan, “Paris”
- Cassie Schmitz, “Miracle” and “Porcelain”
- Chuck Teixeira, “Triptych in Anthracite”
- Clay Waters, “The Apartments in the Sky” and “The Killer Takes a Wife”
- Doog T. Wood, “Outside El Khemis” and “A Town, A Cemetery”