- Trevor Dodge, “Make the Mark“
- Emily Stern, “Yucca Blooming“
- Michael Harrell, “Mothwick in the Fog“
- Lauren Camp, “On the Telephone”
- Ivan de Monbrison, “Untitled Ink Drawings“
- Miles Klee, “Dead Languages“
- Sara Nelson, “Blue-Black Number 4“
- A.M. O’Malley, “To Foster is to Cultivate”, “Blasphemy is Easy in Love“, “My Mother’s Second Husband”
- Aaron Brown, “Writing the In-Between: A Life of Movement, and the Myth of Homeland”
- Sandra Irwin, “Quiet“
- Sharon DeBartolo Carmack, “Daughtered Out”
- Dmitry Borshch, “Betrothal of Virgins“
- Erin J. Bernard, “A Lesson on the Road“
- Cathy Adams, “Sixteen Cans of Pineapple“
- Helday de la Cruz, “The Aging Face”
- Kellelynne H. Riley, “Blackbird“
- Michael McGregor, “Nebulous Light“
- Valerie Fioravanti, “Precocious Slow“
- Vanessa Mártir, “On Motherhood and Writing and Why We Sacrifice”
- Alida Bystrom, “The Cock Room”
- Bradley K. Rosen, “The Camera”
- Natalie Taylor, “Blackberries“
- William Verdigris, “Wampum and Beavers”
- Gabriel Blackwell, “from Madeleine E.”
- Jessica Miller, “Review of God is Disappointed in You, by Mark Russell and Shannon Wheeler“
- Megan Freshley, “Review of Poetic Scientifica, by Leah Noble Davidson“
- Alex Dannemiller, “Review of This is Between Us, by Kevin Sampsell“
- Brian Tibbetts, “Review of The Stories of Breece D’J Pancake“