By Hand & Proverbs

By Hand You stood at some imaginedprecipice complaining aboutthe circuitry of your skin the way the cells weresoldered by a boy whosefather never taught him how.  You remembered coweringin their workshop, the mooddull as grass or cars. A fine edge cut againstthe grain of sunshine babynear to where you never knew.  You remembered but you don’tanymore and that’s the placethat touches you.  All your resolve…

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A Review of Slow Render by Jess Yuan

Jess Yuan’s Slow Render–winner of the 2022 Airlie Prize for poetry–is situated in a pre-post-truth world where capitalism, imperialism, and technology are still calculable and grieved on human terms, at a human scale. With the keen eye of an architect, Yuan organizes her first full-length collection and the speaker’s lyric unlayering in three parts, resulting in a decomposition where we encounter the speaker’s gradual derealization…

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Stracciatella

Wrist wheedled from out honed steel, hot-washed to a surgical shimmer, You glow Pistachio.Paddles and scoops, marble-top ready, hot water ensconced,Get doled nocciola.Glass shielded in bins like incubated babies, pastel- swaddled line-up in bassinets,What a summons.A queue worthy of cordons, in flip-flops, heels, and nearlyno clothing, point-ing fingers, palms resting messy on plexi-glass, sweating away, senses ramped up              to an ogle, primed to envelop your charms.Taste that quick-fix return.To gravel-etched knees, fresh bloodied chins,…

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Shark Attack with Missing Sister

In my memory my mother isin the shallows, maybeshin-deep, swishing minnows into a blue bucket.In my older memories my sister was helping, because she was;but we don’t speak anymore, sonow she isn’t. At least,now I don’t remember itthat way. In my mother’s memory,the next thing that happens  is an open mouth. She pulls my sister, who isn’t there,from the sea. She screams. How long have there been sharks at this beach? In…

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Becoming American

I Writing about the ways your accent is at war with itself is like taking a knife to your tongue and splitting it into two unequal parts and then telling everyone what you did. One part of your tongue is who you have always known, a thick Port-Harcourt-Lagos-Nigerian accent that says, “Ogbeni, where you dey go?” and sprinkles “ha,” and “ehen” in conversation like thyme…

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